Typically we’d say “here’s the sweet spot” for bass on a different synth. What we love about the Model D is that we can make a fat bass out of any of the waveforms. The last three shapes are variations on square waves, with different pulse width values. It’s old school.Įach oscillator can choose between six waveforms. So a 32’ pipe is going to produce a low bass tone and the two-foot pipe length produces the highest pitch. The “feet” markings represent organ pipe lengths.
Oscillator 2 and 3 have separate tuning knobs that are relative to oscillator 1’s tuning.Īll three oscillators have ranges that span from ‘LO’ (which is LFO territory) all the way up to 2’. Moving to the right of the ‘Controllers’ section, you have your bank of oscillators. Even the Behringer Model D version drifts in pitch, so you’ll have to tune your Model D as your studio heats up over time (unless you’re using software!)īelow the tuning knob you have options for glide and modulation sources/destinations.
The first knob on the left is your tuning knob. Creating a simple bass patch will get you familiarised with the panel easily.
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